Jacksonville Legends Mosaic: Eartha M.M. White and Dr. Johnnetta Betsch Cole
About the Subjects
Eartha M.M. White
Given the name Eartha, which means, “Storehouse to All,” Dr. Eartha Mary Magdalene White was a humanitarian, philanthropist and businesswoman. Born on November 8, 1876 in Jacksonville, Florida, Eartha displayed a lifelong commitment to helping others. She embodied the motto taught to her by her mother, Clara White: “Do all the good you can, in all the ways you can, in all the places you can, for all the people you can, while you can.”
In 1893, upon graduation from Stanton School in Jacksonville, Florida, Eartha White moved to New York City for a brief period. A lyric soprano, she sang in the first African American opera company in the United States under the direction of J. Rosamond Johnson, brother of James Weldon Johnson. The Johnson brothers were also from Jacksonville and would later compose the hymn “Lift Ev’ry Voice and Sing.”
Upon her return to Jacksonville, Eartha White displayed considerable business acumen, and she owned and operated several successful businesses. Her versatility and determination enabled her to become a licensed real estate broker, the first woman employee of the Afro-American Life Insurance Company in Jacksonville, and a charter member of both the National Negro Business League and Jacksonville Business League. Thanks to her numerous businesses and astute real estate transactions, it is estimated that she accumulated over one million dollars in assets throughout her lifetime. She used most of her profits to finance her humanitarian works and consequently struggled financially throughout her life.
In her later years, Eartha White became an influential force in Jacksonville’s political and humanitarian arenas. Among many other projects, she established and grew the Clara White Mission, which began as a soup kitchen, and expanded during the Great Depression to be a larger facility to feed, shelter, and counsel the homeless.
Eartha White was honored many times by educational institutions, civic clubs, government agencies, business groups and fraternal organizations for her leadership and tireless service. She was nicknamed by those who knew her as “The Angel of Mercy.”
Dr. Johnnetta Betsch Cole
Dr. Johnnetta Betsch Cole was born October 19, 1936 in Jacksonville, Florida. She is an anthropologist and educator who was the first female African American president of Spelman College in Atlanta, Georgia (1987–97). In 2023, Dr. Cole received the 2021 National Humanities Medal from President Joseph R. Biden in a ceremony at the White House.
Dr. Cole matriculated at age 15 at Fisk University, then transferred to Oberlin College to study sociology (B.A., 1957) and anthropology at Northwestern University (M.A., 1959; Ph.D., 1967).
After decades of service as a renowned professor of anthropology who helped found several departments of African American studies at prestigious universities across the United States, in 1987 Dr. Cole became the seventh president of Spelman College, the oldest African American women's college in the United States. She was committed to making the school a center for scholarship for African American women. Calling herself "Sister President," she became known as a strong advocate for the liberal arts curriculum in a changing society.
In 2002, Dr. Cole became the president of Bennett College in North Carolina, the only other HBCU dedicated to educating Black women. From 2009 to 2017, Dr. Cole was director of the Smithsonian Institution's National Museum of African Art in Washington, D.C. She remains an award-winning, engaged member of the national and international cultural and educational communities.
Artist Statement
Black is beautiful. It is the sum of all colors. Close your eyes, go deep in the infinite black, dream. Look at the sky, go higher into the infinite universe, black. Plant your seed in the ground, it will sprout out of the absence of light, black. Life itself is formed in a dark black womb.
Black is an infinite expression of creation. Embrace blackness through education, art, and civil rights. In honor of our heroes who fought adversity and inspired us to find new meanings and the power to succeed. Let’s keep building an inclusive future together.
About the Art
Celso González, Puerto Rican mosaic artist, was born on May 17, 1973 in San Juan, Puerto Rico. From an early age his motivation was to create monumental murals. From his art studies in Mayagüez, Puerto Rico and then architecture in Sci-Arc, California. He has already made numerous exhibitions in countries as diverse as Puerto Rico, Brazil, Argentina, Ecuador, Mexico, the United States, Italy, France and Taiwan among others. He also develops in the scenography, illumination, film work, furniture design and construction.
Celso’s art is reflective, it is an introspective work, always honored his Loiceña and Rio Grande roots, where some of the magic that abounds in his compositions germinates. Although today he feels more inclined to interpretation and abstract experimentation, his earlier work, the use of allegorical symbolisms to their roots, such as the vejigante, the popular culture masks, the baquiné and bomba and plena among others. More than nostalgia, Celso celebrates where he came from, where he has gone and where he is going.
Throughout his career Celso has collaborated with important artists from different disciplines including Bill Viola, Carlos Cruz Diez, Ted Carrasco, Wayne Isham, Robi Draco Rosa, William Cepeda to name a few. For the past 8 years, Celso has been working on a commission of the government of Puerto Rico, developing around 40 Public Art projects that can be appreciated in monumental murals throughout the island.
He has dedicated himself to artistry and reveals to us in his interior, his hope, that which says: “Look, I am here and from here I have come”.